Apyuxjj.147 net.music utzoo!decvax!harpo!zeppo!wheps!ihnss!mhtsa!mhuxt!pyuxjj!rlr Thu Apr 15 16:31:08 1982 Kraftwerk From what I understand, ALL of their equipment is custom-made! Their "stage set" is actually their recording studio brought on the road with them (called "Kling-Klang"). They have NO, repeat, NO drum set!!!!! All "rhythmistics" are electronic, and are triggered by custom percussion controllers played by Bartos and Flur. They are, as the Keyboard article stated, repulsed by everyday rhythm boxes. To them, they sounded too "Latin"; besides, they WANTED their percussion to sound, not like drums, but like machines! Their credo is not to simulate natural sounds but to create sounds that are uniquely electronic and, in fact, sound electronic! (Listen to "Numbers".) If you liked "Computerworld", give a listen to "The Man Machine", released in 1978 on Capitol. Capitol, now eager to get on the Kraftwerk disco-hit bandwagon, has re-released "The Model"/"Neon Lights" as a "disco" 12-inch 45. If they had any brains, they would have used "We Are The Robots" or "Trans Europe Express" (maybe that wasn't originally on Capitol), which is already known in some discos from its initial outing. But, Capitol has never been known as a really far-reaching, leading-edge, chance-taking sort of company in the forefront of new music (remember the Knack??????) Rich Rosen harpo!pyuxjj!rlr ----------------------------------------------------------------- gopher://quux.org/ conversion by John Goerzen of http://communication.ucsd.edu/A-News/ This Usenet Oldnews Archive article may be copied and distributed freely, provided: 1. There is no money collected for the text(s) of the articles. 2. The following notice remains appended to each copy: The Usenet Oldnews Archive: Compilation Copyright (C) 1981, 1996 Bruce Jones, Henry Spencer, David Wiseman.